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Acropolis Museum

Acropolis Museum Walk Through

Courtesy The Acropolis Museum

Ground Floor

After crossing the ground floor lobby towards the turn styles of the Museum, the first collection lies before the visitor.
An ascending, wide glass-floored gallery presents finds from the slopes of the Acropolis. On the left hand side, finds from some of the key sanctuaries of the slopes are exhibited. On the right hand side, finds from the smaller sanctuaries and the settlements that developed on the slopes of the Hill are displayed. Unique vases from the Sanctuary of Nymphe, the relief of Telemachos, theatrical masks and the treasure of Aphrodite amongst many other exhibits, provide a fascinating introduction to the larger sanctuaries and the ceremonies associated with them in antiquity.

Stair Case and Glass Floored Ramp

The visitor is drawn up towards the monumental glass staircase at the end of the glass floored ramp by the large architectural sculptures of the pediment of the Hekatompedon, the first large temple of the Goddess Athena on the Acropolis.

First Floor

The visitor begins the tour of the first floor galleries at the northeast corner, where archaeological finds and a scale model make clear the significance of the Acropolis in the Mycanaean Period both as a residential area and as the seat of the local ruler. The shift in the status of the Acropolis to an important religious center is signaled by the finds from the Geometric period and in particular by the bronze decorative disc α tour of the acropolis museum from a temple roof. This development is consolidated in the mind of the visitor, with the viewing of the Hekatompedon pediment sculptures at close range, where a scene of a lion entwined in battle with a bull is presented.
The visitor then moves to the south side of the Gallery where the richness and range of architectural sculptures, principally free standing votives stand. Depictions of young women (the Korai), the horse riders (the Ippeis) and many others provide a striking picture of the Acropolis in the Archaic Period.

Acropolis Museum Image 1

In the same Gallery, close to the exhibition of the Korai, the visitor is presented with the commanding sculptures of the pediment of the Ancient Temple of Athena Polias.
For the first time visitors to the Archaic Gallery are afforded the opportunity to view exhibits from all sides as three-dimensional exhibits. With the benefit of the changing natural light, visitors can discern and discover the delicate surface variations of the sculptures and select the antage point from which to observe the exhibits.
The visitor progresses to the close of the Archaic collection, with the display and narrative about the Persian disaster on the Acropolis, and is prepared for the next collection – that of the so-called Severe Style. Turning back to look at the Gallery the visitor is likely to be impressed with the beautiful view of the sculptures amongst the tall columns of the Archaic Gallery.

Second Floor

Visitors can then take the stairs, escalator or elevator to reach the second floor where the Museum restaurant operates but where they can also have panoramic views of the Archaic Gallery and the Gallery of the Slopes below from the public viewing balconies.

Third Floor

Another level up using the staircase, escalator or elevator and the visitor finds themselves in the atrium of the Parthenon Gallery.
Here the visitor can observe a video presentation about the Parthenon, before or after their visit to the Parthenon Gallery, and access other information about the sculptural decoration of the monument.

Acropolis Museum Image 2

The ancient marble inscriptions recording details of the construction of the statue of Athena Parthenos provide information on how democratic bodies in the 5th century BC functioned.
The installation of the frieze of the Parthenon on the rectangular cement core that has exactly the same dimensions as the cella of the Parthenon enables a comprehensive viewing of the details of the frieze as one takes the perimetric walk of the Gallery. The narrative of the story of the Panathenaic Procession is pieced together with a combination of the original blocks of the frieze and cast copies of the pieces in London. The metopes of the Parthenon are mounted in their correct order between the perimetric columns of the Gallery and the pediment sculptures, east and west, are displayed in their respective places.

Back to the First Floor

The descent of the visitor back to the first floor to the last gallery of the Museum, affords views of unique works that became prototypes for subsequent periods from antiquity to today. For the first time ever, it is possible to view to see the coffered ceiling of the Propylaia and the sculptures from the parapet of the Temple of Athena Nike, and finally the Caryatids – or Kores of the Erectheion at close proximity on the balcony overlooking the Slopes Gallery.
The exhibition concludes in this first floor gallery. Reliefs of Athenian decrees, impressive portraits, Roman copies of classical masterpieces and depictions of philosophers and historical figures are the exhibits covering a period from 5th century BC to 5th century AD. The visitor then descends the monumental staircase, crossing the Gallery of the Slopes once again towards the Museum exit.

Outlook

In the coming months visitors will be able to commence their tour of the Museum from the on-site archaeological excavation that lies within the Museum. When conservation of the remains within the excavation is completed and metal ramps above the excavation installed, visitors will be able to walk among – or rather above the remains of the ancient neighborhood. Assisted by key information points at selected vantage spots, visitors will be able to gain an understanding of life in the ancient neighborhood.

Acropolis Museum Image 3

Excavation

The excavation provides the opportunity to visitors to appreciate both the masterpieces of the Acropolis in the upper levels of the Museum against the remains of the day to day lives of the people that lived in the shadow of the Acropolis over various periods.

Visitor Services

Museum visitors have access to a range of visitor services including the ground floor cafe and second floor restaurant–cafe with its panoramic views of the Acropolis. A temporary exhibition gallery, auditorium, a virtual reality theater and two Museum shops assure a high standard of visitor experience in the Museum.


Author: Yorgo Nestoridis, Media Marketing & Publishing, Founder of YORGOO Publishing, YORGOO Press and Semiomantics.

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9 Comments


  1. Z Nicholas
    Jun 21, 2009

    We watched some snippets about the opening here on T.V. The modern architecture just enhances the beauty of the ancient sculptures.

    And so…The dispute over the ‘Elgin marbles’ continues…..

    A musuem that I would dearly love to visit one day.


  2. Bianca Gubalke
    Jun 21, 2009

    Melina’s Dream came true in a magnificent form…
    Clearly… the ONLY place where the ‘Parthenon Marbles’ belong… where else?

  3. [...] finally has its new modern Akropolis Museum for its vast collection of sculptures and artifacts from ancient Greece. The $200 building of glass [...]

  4. [...] finally has its new modern Akropolis Museum for its vast collection of sculptures and artifacts from ancient Greece. The $200 building of glass [...]


  5. Yorgo Nestoridis
    Jun 22, 2009

    After 40 years of struggle the British Vandalism and Barbarism has found it’s Museum. Let’s see for how long they want to keep it that way. Once the Marbles are back home and there is no doubt in my mind that this will happen, the Brits will be able to close another chapter of their dark colonial past.


  6. Yorgo Nestoridis
    Jun 22, 2009

    Elgin, a British Criminal backed by his Government which bought the fruit of Barbarism to financially sort him out. Interesting the way the UK Government judges other peoples ethics while having such a burden as looters and vandals.
    The British Museum, like the Louvre in France are great money making testimonials of cultural theft and barbarism committed during colonial times.

  7. [...] finally has its new modern Akropolis Museum for its vast collection of sculptures and artifacts from ancient Greece. The $200 million building [...]


  8. Bianca Gubalke
    Jun 22, 2009

    . . . where there are Ethics there is no Judging needed. . .

  9. [...] By Yorgo Nestoridis [...]

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